Brief for One Book, Two Publishers
19 June, 2012
Covers
Two new, front covers for a 2nd edition to replace Fritz Hansen’s hard-to-better image of Arne Jacobsen’s Egg chair from the first edition.
LKP’s chosen version (from a number of alternative covers) I used Scala, the same austere font used for the text, with an image of counter-posed Verner Panton Stacking chairs. Although entirely different it sort to maintain the same abstraction strength as the first edition.
Prentice Hall’s choice. I used the book’s titling, Brody’s Industria (now at full 100% black) with an image of Alessandro Mendini’s Proust armchair. Both picture and font conscious embodiments of modern design’s debt to history.
Body
To introduce, for both publications, new pictures and text, making alterations only where suggested improvements would be agreed by both publishers.
They agreed changes to the Part and Chapter opening titles from 25 pt ScalaSans and 23pt Scala (roman) both to Neville Brody’s Industria Solid at 40 on 42pt (at 40% black to lighten it rather than use the Inline version).
The only other alteration was to the Scala body sub-heads, changed from bold, upper and lower case to light small capitals. This made the text more even, while retaining the distinction between body and headings. I reset the progressively cramped endmatter to avoid any text appearing smaller than 7pt.
Three examples of alternative covers submitted for the second edition (In addition to the two chosen).